Celebrating The Artistic Talents of Pat Bishop
If you are ever
fortunate to meet Pat Bishop you will find that you have
entered into an enchanted space of genius imagination.
She has the most beautiful eyes which engage you as you
speak to her and indeed she is simply amazing - this gentle
persona with a refined voice that belies a strong mind and
personality. It is not surprising therefore that NGC would
be associated with Pat Bishop and the Lydian Singers for
over 16 years. Well in our 33rd year of operations, NGC knows a thing or two so it is not a strange thing for us to have pursued the association since Pat Bishop is one of our esteemed citizens known not only for her art, but also for her view of society and the issues of the time. |
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In 2008, NGC is privileged to own
a second painting which is located on the staircase
leading to the first floor’s executive foyer. Entitled
“A Yellow Savannah Poui, in Memory of Panoramas we used to
know and Carnivals past”, the painting is a work of art
that makes a lot of sense to those of us from Mounted in a three dimensional format and made of wood, cane and bamboo engraved with 23 ct gold leaf, on canvas, acrylic and hand-moulded plastic, the painting lends itself to different levels of interpretation such as, are the ghosts of Panoramas and Carnivals past residing in the Poui? Is the Poui trying to tell us something? |
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Does the Poui provide the natural backdrop that the steel
and concrete of stadiums might not? And what about the
rusty pan below the painting? Has Pan died and been
left outside to rot? Is Pan bleeding for acceptance, in
spite of it being heralded as the national instrument?
Based on interviews with the artist and reviews of her work, we offer the following interpretation: The painting seeks to expose grief, disappointment, betrayal and some of the effects of technology and modernism in Carnival and Pan. Grief for a savannah whose green spots have been forever lost through paving; grief for a savannah that is no longer home to Panorama Finals and Carnival; grief that the talent of pan pioneers has now been forgotten with the advent of gleaming chrome and G-pans. |
The art close-up Pat Bishop |
The bamboo sticks which support the structure of
the art remind us that the human condition is fragile and
the rusty pan is a stark reminder to us all - a memorial of
things we used to know that in the face of newness have been
shoved into obsolescence. |